This is a question I often get asked.....what advice would you give for someone wanting to play guitar in a band? Well, I thought it would be a good idea to put all of my tips and advice into a single video. It is never easy starting a band, and it is even harder joining a band when you don’t have too much experience. There are a number of things you can do straight away to ensure that you are successful, both with your band mates and making your band a success.I would also love to hear your advice and guidance as well. Please let your thoughts in the comment box!Top tips and advice on how to be successful when you start playing guitar in a band.EnjoyPeaceNeil
The expectations of education and online learning.
Recently, I have been overseeing and taking part in a few online courses (both paid for and free), as well of course as my own online youtube videos and lesson content. I am surprised by a number of students reaction to the teaching and more importantly, their expectation of what they are supposed to get from a class, tutorial, workshop or lecture. The notes below are a reflection on the criticism towards the Hans Zimmer Masterclass series.As a university lecturer this notion of 'not getting much' from tuition is becoming a regular occurrence in the education sphere. I put it down to a younger generation learning with newer pedagogical methodologies where learning is instant and targeted to what you need to know NOW and very much a how to do what you need right now, rather than a more holistic approach to learning and understanding your area of specialism.I also find a slight misunderstanding by students in the terminology used traditionally, such as tutorial, workshop, lecture and masterclass. I think that many students (or people who signed up for the HZ Masterclass) were expecting a workshop or tutorial on ‘How to score a oscar winning soundtrack' with accompanying step-by-step guide on the 10 steps you need to take from switching on your DAW.Further Learning (i.e not school) is about asking questions, the learning is about being given ideas or concept which you can then study further and investigate yourself with the assistance of your tutor. I guess (and I could go on about this for ever), in the corpora-education results focused world we now live, education is about making sure stats look good to ensure the steady flow of cash.In a masterclass class (!), the student should (I feel) expect to listen and be inspired by the PROCESS that the Masterclass expert has This should not be a tutorial in techqniue but an overview, with room for case studies, tips and tricks as well as experiences (which I feel HZ did). I think many were expecting him to fire up Cubase and show them how to write a melody, orchestrate it and receive an Oscar.I do feel that perhaps it might have been nice to have seen him approach an unseen cue and talk about that but I feel for the money that there have been enough suggestions and comment from Hans to help develop my work, inspire me to work more and some useful tips on how to be more effective.What are your thoughts on this? What do you expect from a class, lecture, or masterclass?PeaceNeil
Choosing gear - How would you choose your gear if you didn’t have the internet?
How would you choose your gear if you didn’t have the internet?
Just imaging for a moment that there were no interviews, no magazines, no hundreds and thousands of user reviews, no online reviews (you know the kind that I do a lot of!). Are you imagining that?? I hope so, please go with me on this one!Firstly, please understand that I'm NOT shooting down the reviewers or the reviews, they serve a purpose and they are doing a great job. It is just that I'm trying to throw out an idea of what would you do if none of this information existed? How would you choose something?
Well, I think it would go a little something like this....
You walk into a guitar shop, you have no idea what any of the pedals are, brands, types, components, you have no idea! So, how would you go about choosing something?Well, perhaps you go and look something that you are visually attracted to, nothing wrong with that. what would you then do?Well, you probably plug it in, turn the knobs, see (hear!) what happened, and I’m pretty sure you would be drawn to something if you liked how it sounds. I am going out on a limb here, but you probably wouldn't care about anything else.We get so side-tracked by other people's opinions, XYZ does this, it sounds better than this, etc, but if you didn't know any of this information, if you haven't heard the voices of the internet or magazines telling you all this, you would probably pick a product primarily on how it sounds, and how it looks, and that is something we forget about quite a lot.I am a big advocate now of just plugging into something and seeing how it sounds. Asking.....does that sound appeal to me? Can I change all the knobs? what does it do? Really getting under the surface of the piece of equipment and finding out what the hell it can do, and how it sounds, and if I like that sound. does that sound work for me? does that sound make me want to play guitar?The little nugget of advice I'm giving here is, that sometimes when you're looking for something, go into a guitar shop, forget the internet for the time being, as awesome as it is, but go in to that guitar shop, go in blind. Get the shop assistant to plug in a whole bunch of pedals that you can't see, and see which one sounds good for you. does it do what you want it to do? Does it make the sound in your head come to life? Does it achieve the sound that you are looking for?We are brainwashed at the moment into thinking XYZ says this, XYZ says that, some guy I've never met before (including me) says this is a great pedal, and it sounds better than this pedal because whatever, and it costs more therefore it must be better, does it really?Of course there are a whole bunch of other factors to factor in, there are some useful things about reviews, if you have a great pedal but it's in a case made of flimsy plastic and you step on it and it breaks, that's not a good thing, and it's probably worth noting that, but in terms of sound and what sound is and how personal it is to someone, if you like the sound of a metal zone pedal then buy one and make it work for you.If you hate the sound of a metal zone pedal, don't buy one, buy a soul food or Andy Timmons Angry Charlie, or something like that, but whatever it is you buy, make sure it works for you and not for some other guy on the internet who says it's a great thing and it works for them.PeaceNeil
NAMM 2017 Rumours
So it is that time of year again!! Doesn't come around so quickly there days?? The NAMM show in January 2017. is a time to start thinking and dreaming of what might be coming out in this year. It seems like quite a few companies like Korg, Supro and various pedal companies (to name the two that I have seen) have done pre-release press releases, so we already know what is coming. A bit of a shame, as I love the excitement.....but I a very excited about the Korg Gadget getting a desktop version!! Amazing!So what am I hoping for this year? Well, I think I am going to be disappointed (as always it would seem), but one can dream. TC Electronic (now part of Music group i.e Behringer) seem to only be concentrating on single stomp boxes now, which is a real shame. My other wish is for Spectrsonics to update Stylus RMX, but given keyscape only just came out I doubt that they will. NAMM used to be big for them, but they seem to have gone very quite of late.Like most years, (if you have read any of my blog previously), really I am only looking for a couple of companies to do a couple of things (which are actually pretty much the same from year to year!!!), so I am guessing there must be a gap in the market, and one thing in particular, the TC Electronic Nova System is right up there. Given by just how popular my review and videos on the unit are, it would seem I am not alone. So for the fifth year running, this is what I am hoping for.But, otherwise here are my NAMM 2017 wishes1) (This is the big one!) A new Nova System from TC Electronic. Well to be honest, I love the Nova System, I have been gigging mine for over five years now, but there are a few omissions and small things that would make it totally perfect. These are, a filter section (Autowah, envelope filter perhaps, I would have these over the pitch if I had to), and improved tuner (insert a polytune please!!!) and perhaps another way to access patch v presets. I would also love for it to be Toneprintable, how incredible would it be to be able to download Toneprints to the Nova System. Oh okay maybe one more, to make it the most perfect object of all time, perhaps adding in a few basic amp models (Fender, Marshall, Vox perhaps?), so that it could be used direct into a PA or as a basic modeller. That would make it perfection!! Particular on the last point that the TC Halicon Voice Channel can do this, and Tech 21 have introduced this concept with the FlyRig, it would be perfect. But sadly I don't think it is coming.2)Love to see an update to the Ibanez RG Prestige range, perhaps a natural finish guitar??3)Spectrasonics?? Where are you???????….maybe some new libraries for Stylus RMX? and how about the next generation of awesome software that we know you are capable of!!4)Logic 11? 2013 was the year of Logic X, I am very cautious with Apple at the moment and their (what feels to me) move away from supporting the creatives that carried them through the bad times. They are a phone company now and not a computer company, evidenced by their latest update to the Mac Mini, a total backward step IMHO.5) I also use Digital Performer 9 a fair amount and whilst it is great for audio and film stuff, I still prefer Logic for straight composition and song writing, probably because of the ability to work with looped regions. Maybe this will come to DP one day?6) A decent Marshall amp (we can dream!)7) Atomic Amplifire - actually you guys totally rock! I am loving my amplifier so maybe I don't need a replacement for the Nova System now. I am sure if you have something new it will blow us away!I would be very interested to hear what you are waiting for/hoping for.Maybe I'll get my book there next year ;)
A lifetime of guitar knowledge for only £6.95Take the next step with your playing...
Or Kindle version....
So what is on your list?
PeaceNeil
Apple MacBook Pro 2016 Review
Apple MacBook Pro 2016 Review
So yesterday, at the Apple event, they announced the new Apple MacBook Pro 2016 Model....with Touch bar. As a result music and video forums around the world seems to give a resounding 'really' is that it? Is that the announcement? No new iMacs and crucially no new Mac Pros? What are you doing Apple, you remember those guys who saved you in the 90's, the designers, the studios, the video guys....remember, the one's you thought it was 'cool and trendy' to be associated with. Well, I personally think you are starting to dump on them BIG style! For the biggest company in the world, is it too much to put some resource aside and keep us guys content? Is it really?
SO Thoughts.....
I have given this some thought since the announcement, and the one thing that really jumps out is how, given the immense computing power available to the world now, why Apple in particular, aren't making absolute beasts of machines for those working in especially media related fields (Audio, Video, Photography) etc. It seems there is a specification undercutting happening, perhaps the warning flag should have gone up when the iPod classic left the shelves. You know when real music lovers, who LOVED the fact they could have their entire library on a tiny portable device ,were told that this was not cool and you should either stream or die like a dinosaur, I mean I guess some people do only listen to 3 albums these days whilst permanently tethered to GOOD WIFI!!!There seems to be a complete disjunct between the needs of professional creators and the machines we have. Why are these MacBook Pros being shipped with a max of 16Gig of Ram? That is kind of pointless for many of us out there, not just in audio production and music, ESPECIALLY when you can't upgrade it. 256 Gig HD, yes cool it is SSD but that is like 1 and a 1/2 quality sample libraries and it is full, before you take in to consideration any applications, and let alone think about an ACTUALLY PROJECT FILES! But no Grandad, why aren't you uploading your project to the cloud? SO uncool Dude. Because I have GIGs of project files and yes Apple, you market saying...work any where, be a free spirit, travel, record indigenous tribes in their native home lands, but less an less giving us the tools to do that....wow cool I have a SUPER THIN SHINNY box, but that pretty much goes out the window when the rest of my bags is filled up with hard drives, power supplies, and now 4 more different adapters to connect to all the other adapters to make the gear I have invested thousands and thousands in actually work!! That is not cool Apple, it takes me 20 minutes to plug everything in.
Top of the pile??
Why oh why is it not possible to have a SOLID performing laptop (Which might be a bit thicker than some others used for web browsing and typing documents), with a powerful CPU, upgradable RAM, maybe....just maybe....two hard drives in it?? SHOCK, and yes why not have 3-4 USB ports, and SD card reader, and HDMI port and Two Thunderbolts all running down the side. I would be so proud to tell all my friends about a product like that, you know one where I could actually just take that to a gig, a forest, a tribe and DO EVERYTHING. THAT WOULD BE COOL APPLE.But NO, style over substance, form over function now from the INNOVATION CREATIVE FRUIT BASED COMPANY. Phones, watches, $$$$$$$$$s and watch the old guard take the lead and innovate. Who in a million years thought they would ever actually look up from their fruit based computing device and watch a Microsoft promo (firstly actually watch it!) and go....ooooh what's going on over there..........Peace, love and good happiness stuff!Neil
New Testimonial
Really love getting testimonials from clients. This was an awesome project to work on and was great fun for me also!!
We worked with Neil on a recent project to formulate and record a song I had written. We had the words and a general idea of the tune but Neil helped us to form the structure and rhythm which came together to form the complete song. He was really helpful in giving us different options in terms of sounds, rhytym etc and he edited the song to a professional standard. We were really pleased with the finished piece, which went viral really quickly. If we ever decide to do anything similar again we will definitely be contacting Neil!
Thanks a million Alison and Sandra and hope your song goes everywhere!!PeaceNeil
25th Anniversary of Steve Vai's Passion and Warfare
It is nearly the 25th Anniversary of Steve Vai's Passion and Warfare Album (where has the time gone?). Passion and Warfare at the time and still today is a groundbreaking and crucial album, so I thought it was time to write a few thoughts about it, and also hear what your thoughts are on this seminal guitar album as well.
For the love of god
Now, there is no denying that I could easily write a thesis on the album, but I will try and keep it consise. I would also say, that there is probably a fair amount of bias in my opinions of this album, but I will try and be as objective as I possibly can.So, I will get this out of the way straight away......personally for me it is probably one of the most important albums I own and one of the most important 'guitar' albums out there. It is also without doubt Steve Vai's greatest masterpiece, which is amazing given what he has written subsequently, but I feel nothing comes close to the perfection of composition that is Passion and Warfare.Now, I know it isn't for everyone, and I think that is the point.Passion and Warfare is NOT in my opinion a guitar excess album, it is a piece of compositional art, from an artist (who's brush is the guitar) not afraid to explore the medium and push boundaries of the medium. If you read Steve's accounts of the creation of this album, one of the most crucial points seems to be that it was made without (at that time) any constraints (or at least not that many) from record companies.Steve was earning money (and experience) firstly from Frank Zappa and then as Dave Lee Roth's hired gun (Eddie Van Halen replacement!). With borrowed equipment and the ability to work and jam with great musicians (who helped out on the recording process), Steve, also had a backlog of great material he had (at that point) been working on for most of his life. So, there was in one sense, no pressure on this album, at least commercially. Steve himself stated that he never expected to sell a single copy.Steve (and he has said this himself) made an album for himself, pushing and exploring his own boundaries.
Stunt guitar
I feel when considering this work, you have to consider that it is not a 'guitar instrumental' album in it's truest sense, it is a compsitional work of creative art, pushing boundaries of music composition (e.g. Alien Water Kiss) and not just guitar histrionics. I feel that one needs to consider that the 'stunt' guitar is part of the narrative of the album, it simply forms part of the entire artwork.To fully understand it, and what I believe Steve was trying to acheive, you need to consider Passion and Warfare from a structural and compositional perspective. I believe that is where it's success lies and what has not only made it stand the test of time, but has propelled Steve to the guitar diety that he is.From the beginning of album, kicking off with Liberty, you are drawn in to a strong narrative form, guiding you through Steve's inner thoughts and feelings at the time. Each composition telling you it's story and each indvidual story forming part of an overall cohesieve narrative. Unlike many of it's predecessors and those whom came after, it is NOT, as many guitar albums (even the good ones!) are, some one noodling away over a relatively static backing track, trying to use flash and gimmricky to lure you in...all form without substance.This is also something early Satriani, with Surfing with the alien and (some of) Flying with a Blue Dream was able to do.....guitar compositional story telling.It is this story telling, which I believe listeners are drawn to and keeps you going back for the repeat listens, you want to hear these stories again and again, because there is depth and nuance to them. Perhaps, lacking in later works (controversial I know!).
"I am that..." - Steve Vai
Passion and Warfare takes you on full in the face and tells you it's story. The greatest thing about Steve (and I have been fortunate enough to study on his course at Berklee....and also fortunate to gain his Berklee Scholarship) is that his message is to be individual, to find your own voice on the instrument, to write and produce the music YOU love!It doesn't matter what it is or what form it takes,.What matters is that it is personal to you and has all of your internal energy in it. If it has these elements, then whatever your art, it will be good, even if it is just to you and it is good to you then you have realise thati it will be good to other people. I mean think about it, think of the music, art, photography, films you like, you like them and so do other people, these are the people who are on your wavelength, so don't be surprised that in the world/universe that if you produce something from your heart, others will like it.I really think that message is lost in this day and age and probably the reason we will never really experience the glory years of 80's guitar instrumentals.....there aren't enough unique voices willing to explore their art at all costs.You can purchase Steve Vai's Passion and Warfare here (should you not own it already....shame on you!)What are you thoughts? What are you favourite tracks?Top 3 Favourite tracks
- The Animal
- Answers
- For the love of god
EnjoyPeaceNeil