Harley Benton G112 Vintage Cab Review

I recently did a review of the Harley Benton G112 1 x 12 Vintage Cab which has a Celestion Vintage 30 speaker in it (somehow!)....too good to be true? I think so! This has got to be a loss leader from Thomann, as the price is so good! I did a video for the product, so you can find out all I thought about it!Here are some of the specs

  • Equipped with: 12" Celestion Vintage 30
  • Power rating: 60 W
  • Impedance: 8 Ohm
  • Housing material: 18 mm plywood
  • Semi-open back
  • Carrying handle
  • Dimensions (W x thomann H x D): 460 x 470 x 299 mm
  • Weight: approx. 14 kg

The fact it has a Vintage 30 in it for me is the number 1 selling point! How did that do that? Plus being plywood instead of MDF at that price point is really interesting. I do think the handle might give out at some point and the Tolex is a bit rubbish, but hey you can easily fix that!! Find out more in the videoLove to hear your thoughts and experiences on the product.EnjoyPeaceNeil

Logic Pro X - Quick Tips - How to Delete Hole (gap) aka Ripple Delete

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Mind the gap

A very short Logic Pro quick tip on how to delete a gap or hole (ripple delete) your audio quickly!This is something which I do a fair amount of (mostly when editing the There is another way podcast that I produce every week, but also when working on film dialogue, editing interviews and cutting out selections when I and editing Samples for my sample libraries. I see the question come up quite a lot, but sometimes people aren’t sure of the term to use for this kind of edit. It also has different names in some applications. But think of it as the ripple edit, or delete gap.

Ripple Edit

This isn’t really useful for music production, because you want your audio to stay in the same position because it is in time, but could be useful if cutting out a whole section of a song across multiple tracks.Hope you find it as useful as I do!EnjoyPeaceNeil

Didsbury Arts Festival : Didsbury, a Cultural Soundscape - workshop

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Really pleased to announce that I will running a workshop under Light B4 Sound as part of the Didsbury Arts Festival. I have also written 3 special pieces for the festival and will be uploading some of my binaural recordings on the day.DESCRIPTIONDidsbury, a cultural soundscape is an interactive sound walk and workshop on sound art and soundscape by Light Before Sound. The event will explore sound in the local environment, and demonstrate how found sounds can be used as part of the compositional practice.Venue: Didsbury Parsonage Trust (room1)About eventHosted by Dr. Neil Bruce, a sound designer and composer, the workshop will also feature a piece composed specifically for the festival and Neil will go into detail of how sounds were chosen and manipulated into the final piece.Participants will also be taken on a short sound walk to enable them to tune in and explore the soundscape of Didsbury and the festival. The workshop will finish with a Q&A session.For more information, please visit the festival websiteIn preparation I am also offering a festival special offer of 50% off @lightb4sound Senescence Album with the following codeSee you on Sunday 2nd!EnjoyPeaceNeil

Korg Monologue (Red) Analogue Synth Review (1st Impressions!)

So I have just got my hands on a Korg Monologue! I have been wanting something to add analogue synthesis to my tracks for a while (after selling all my analogue synths a while back....FOOOL!) and this combined with the volca series really matched the bill! So I thought I would do a quick unboxing video followed by a first impression video straight out of the box!This is not a full review, but literally my FIRST impressions on taking out of the box!!!Hope you enjoyPeaceNeilUnboxingFirst Impressions

The expectations of education and online learning.

Recently, I have been overseeing and taking part in a few online courses (both paid for and free), as well of course as my own online youtube videos and lesson content. I am surprised by a number of students reaction to the teaching and more importantly, their expectation of what they are supposed to get from a class, tutorial, workshop or lecture. The notes below are a reflection on the criticism towards the Hans Zimmer Masterclass series.As a university lecturer this notion of 'not getting much' from tuition is becoming a regular occurrence in the education sphere. I put it down to a younger generation learning with newer pedagogical methodologies where learning is instant and targeted to what you need to know NOW and very much a how to do what you need right now, rather than a more holistic approach to learning and understanding your area of specialism.I also find a slight misunderstanding by students in the terminology used traditionally, such as tutorial, workshop, lecture and masterclass. I think that many students (or people who signed up for the HZ Masterclass) were expecting a workshop or tutorial on ‘How to score a oscar winning soundtrack' with accompanying step-by-step guide on the 10 steps you need to take from switching on your DAW.Further Learning (i.e not school) is about asking questions, the learning is about being given ideas or concept which you can then study further and investigate yourself with the assistance of your tutor. I guess (and I could go on about this for ever), in the corpora-education results focused world we now live, education is about making sure stats look good to ensure the steady flow of cash.In a masterclass class (!), the student should (I feel) expect to listen and be inspired by the PROCESS that the Masterclass expert has This should not be a tutorial in techqniue but an overview, with room for case studies, tips and tricks as well as experiences (which I feel HZ did). I think many were expecting him to fire up Cubase and show them how to write a melody, orchestrate it and receive an Oscar.I do feel that perhaps it might have been nice to have seen him approach an unseen cue and talk about that but I feel for the money that there have been enough suggestions and comment from Hans to help develop my work, inspire me to work more and some useful tips on how to be more effective.What are your thoughts on this? What do you expect from a class, lecture, or masterclass?PeaceNeil

Choosing gear - How would you choose your gear if you didn’t have the internet?

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How would you choose your gear if you didn’t have the internet?

Just imaging for a moment that there were no interviews, no magazines, no hundreds and thousands of user reviews, no online reviews (you know the kind that I do a lot of!). Are you imagining that?? I hope so, please go with me on this one!Firstly,  please understand that I'm NOT shooting down the reviewers or the reviews, they serve a purpose and they are doing a great job. It is just that I'm trying to throw out an idea of what would you do if none of this information existed? How would you choose something?

Well, I think it would go a little something like this....

You walk into a guitar shop, you have no idea what any of the pedals are, brands, types, components, you have no idea! So, how would you go about choosing something?Well, perhaps you go and look something that you are visually attracted to, nothing wrong with that. what would you then do?Well, you probably plug it in, turn the knobs, see (hear!) what happened, and I’m pretty sure you would be drawn to something if you liked how it sounds. I am going out on a limb here, but you probably wouldn't care about anything else.We get so side-tracked by other people's opinions, XYZ does this, it sounds better than this, etc, but if you didn't know any of this information, if you haven't heard the voices of the internet or magazines telling you all this, you would probably pick a product primarily on how it sounds, and how it looks, and that is something we forget about quite a lot.I am a big advocate now of just plugging into something and seeing how it sounds. Asking.....does that sound appeal to me? Can I change all the knobs? what does it do? Really getting under the surface of the piece of equipment and finding out what the hell it can do, and how it sounds, and if I like that sound. does that sound work for me? does that sound make me want to play guitar?The little nugget of advice I'm giving here is, that sometimes when you're looking for something, go into a guitar shop, forget the internet for the time being, as awesome as it is, but go in to that guitar shop, go in blind. Get the shop assistant to plug in a whole bunch of pedals that you can't see, and see which one sounds good for you. does it do what you want it to do? Does it make the sound in your head come to life? Does it achieve the sound that you are looking for?We are brainwashed at the moment into thinking XYZ says this, XYZ says that, some guy I've never met before (including me) says this is a great pedal, and it sounds better than this pedal because whatever, and it costs more therefore it must be better, does it really?Of course there are a whole bunch of other factors to factor in, there are some useful things about reviews, if you have a great pedal but it's in a case made of flimsy plastic and you step on it and it breaks, that's not a good thing, and it's probably worth noting that, but in terms of sound and what sound is and how personal it is to someone, if you like the sound of a metal zone pedal then buy one and make it work for you.If you hate the sound of a metal zone pedal, don't buy one, buy a soul food or Andy Timmons Angry Charlie, or something like that, but whatever it is you buy, make sure it works for you and not for some other guy on the internet who says it's a great thing and it works for them.PeaceNeil

Worldizing - breathing life into digital sounds and your music

Worldizing is a sound design term conceived by the great Walter Murch, but it is not limited to sound design, it can be used in your compositions. An easy and effective way to breathe life in your to digital sounds, to make them more organic. Give life to that plug in synth sound, fatten up those drums or guitar parts!Give it a try!!!For more in-depth information on maximising your practice time and finding your own voice on the instrument, check out my book Guitar Creativity - A new way of thinking http://spencerbruce.com/guitar-creati...…Follow me onTwitter http://twitter.com/lightb4soundFacebook https://www.facebook.com/SpencerBruce...Instragram https://instagram.com/lightb4sound/LinkedIn http://uk.linkedin.com/in/neilbrucePeace