For those of us who are sound designers or field recordists, we all have tons of recordings which may or may not be well labelled or traceable once they get copied on to a hard drive. Being able to search, find and understand what a recording contains is a major requirement when working professionally, as a badly organised or unlabelled library becomes a veritable haystack from which you are trying to extract a needle! UCS offers a method which means you can easily work through your own and other professional sound libaries. Here is a practical introduction and how-to guide on what it is and how you can use it.
synaptic distortion - fifty two | one
Ephemeral Data Streams - New Album December 2022
What sample rate and bit depth should I use?
This is probably one of the questions I get asked more than any other and it (thanks to the extremism of the internet) can provoke all manner of responses. As such I have put together the following set of guidelines which I use, and through explanation with my students suggest that they use. I hope that you find these guidelines useful when you are struggling with what sample rate and bit depth to use for your project.





