sound worlds

Returning Sound to the Commons

Returning Sound to the Commons

am always teaching that sound is immediate, it enters our being before we can prepare, before thought can form a perceptual shield against it. From the time we are in the womb, before ‘King Sight’ (Walter Murch in Chion’s Audio Vision) has taken over we are learning and understanding about the our world through it, and then when we born, our existence in the world is to be immersed in it, pulled into relations that we do not choose but cannot escape. Unlike sight, a sense which allows for distance and framing, sound insists on intimacy, it places us inside the world and ourselves. Ever since, just over 50 years ago, R. Murray Schafer tried to “tune the world” and formalised the notion of ‘soundscape’ and thus soundscape studies which has lead increasing formalisation within the frameworks of academia and now government legislation (for example in the Noise and Soundscape Plan for Wales 2023-2028).

Using the surround panner matrix FX in Reaper to build Space Worlds with Fundamental & Reaktor

Using the surround panner matrix FX in Reaper to build Space Worlds with Fundamental & Reaktor

In this video I look at how you can use the surround panner plugin matrix in Reaper to blend between different effects on different channels. This is a really useful sound design technique and also can be used compositionally to create ever evolving soundscapes.